At heart, I am both a photojournalist and a visual artist. From the beginnings of my early practice, I have always been impressed with Henri Cartier-Bresson’s concept of ‘the decisive moment’, whereby the creative photographer arrives at visual determinations purely by intuition: in essence, practicing a certain discipline of being in the moment; of active observance and ‘seeing’ as a process of being openly receptive to the unfolding of a potential situation. Knowing the precise moment when to capture an image successfully imparts the complexities, dynamics and spirit of an interaction, emotion or setting and in turn, reveals this substance to the viewer of the image as a form of bearing witness.

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